Modern dance teacher -Master Degree
Hungarian Dance University,
2013-2015
Dancer and coach Bachelor of Arts Degree
Hungarian Dance University,
2010-2013
Croatian language and literature / communicationBachelor of Arts Degree
Eötvös Loránd University,
2007-2010
Social Studies
Eötvös Loránd University,
2006-2008
Hungarian
English
Croatian
Serb
German
Italian
I thrive on new challenges, my spirit warms up when I can get lost in new ideas. I’m immensely inspired by human stories and I feel incredibly lucky to be surrounded and to know so many different people and am constantly looking for ways we can connect to each other.
In 2020, with the birth of my son, I embarked on a new self-discovery journey that deepened my understanding of femininity and motherhood. This experience has added more depth and color to the human tapestry I observe, fueling my continuous quest for connection.
YolOne Art Group inc. Founder, COO, Lead Dance Teacher
2024 - present
Self employed - FootNotes Dance Company - art director, choreographer, educator, company manager, 2022 - present
FootNotes Dance Company Bt.- art director, choreographer, educator, company manager
2015 - 2022
Dance workshops in Europe and Asia
2008 - present (casual work)
Cholnoky Movement Studio - dance teacher, choreographer
2006-2015 (casual work)
Dance Craze Academy - dance teacher (in English)
2010-2013 (casual work)
Choreographer, producer of the shows for FootNotes Dance Company (Diversium, Soulwaves, Open Skin, Chinmoku, Indri, Echoes of the Forgotten, Huvuvuvu, Zooxanthellae), Hungarian Dance University
Choreographer assistant - Operetta Theatre (The Hunchback of the Notre Dame) , Hungarian Dance University (Echad Mi Yodea)
Connector International Dance Festival
2012-2023
Development of the national curriculum -modern dance education (Hungarian Dance University)
2020
Dance Critics articles (Ellenfény theatre magazin)
2009-2011
I have recently moved to Canada - starting a new chapter in my life. I’ve always thought as an artist we constantly need to refresh the air around us to be able to renew our artistic body.
My artistic thinking concentrates on the whole human body which existence is inseparable from the context he/she/they are living in. This means understanding each dancer as a unique creature with the potential of a beautiful story they carry in their bodies. These stories can only be revealed with the understanding of the dancers’ and choreographers’ past and present experiences, that can only be achieved through conversation, writing, painting and well-guided improvisation.
In my pieces I dive deep into the spirit, pulling all the strings to find new pathways for interpretation of our inner world and I attempt to explore the possibilities of dance art for having an impact on the world that surrounds us.
Asking questions - without only trying to tell my opinion - give my dancers the chance to express their thoughts about the theme. Sometimes these are not the biggest questions in life - as I strongly believe that making meaningful change begins with small steps - what seems meaningless at first sight - do I know how I walk? How do I pronounce love in my language? What is my body’s first response when I see pain?..etc.
I draw inspiration from our everyday gestures, transforming them into art. Exaggerating. Challenging my dancers to touch places they have never been - avoiding to use the patterns that are fixated in their bodies. The point of our century is to understand the uniqueness of individuality in order to help dancers/people bring their best to become a change-maker of the future.